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The Decade of Sunrise Demolition

by Gresham

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food4fishy
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food4fishy very original, complex music. Favorite track: Sunrise.
cjs1954
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cjs1954 Unique sound. Refreshing Favorite track: Mill Creek Road.
dweller37
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dweller37 This album is an explosion of colour and emotion. Delicate, beautiful, sometimes triumphant and powerful, other times sad, haunting. Favorite track: Sunrise.
celestegail
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celestegail Wow, The Decade of Sunrise Demolition, is more than just a collection of songs from a singer/songwriter. Stamper's musical layers demands your attention: it is literally the world around us. His lyrics speaking from inside himself, sharing a human experience. *Highly Recommended!*
Favorite track: From a Third Floor Garret.
mikezz90
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mikezz90 Love the journey this music takes you on. Heavy stuff. Favorite track: War Parade.
Jonzhang
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Jonzhang I am over the moon about this album...somewhere between shock and heaven. It's more than a good album...its brilliant. Favorite track: March On.
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1.
Sunrise 05:39
Spearfish Sunrise I'm getting away I'm always getting away Mountain splitting at dawn Sleepy miles to be gone To somewhere else Towns appear from miles away They all look like campgrounds I hid them here when I was a boy I'm tired of the road The highway's all a broken line A westbound sunrise It's getting away And it will steal this day It's mountain splitting and gone These sleepy miles will be along fading like a dream Towns appear from miles away They all look like prisons With some kept in Some kept out I'm tied to the road Tired songs and broken lines And strung out car fantasy As real as your speed
2.
Two Rooms 04:39
Picture to yourself The darkest, most disorderly place imaginable Blotches of mold colonize the ceiling A broke-leg piano governed by dust The chamber pot oppresses the room Sheet music is strewn everywhere (as no mans land) But beauty's within the squalor, the disorder Plates with remains of yesterday's lunch and supper Beethoven's room defies a law A second law of something Order has come from the wreckage Igor's room is pristine, it's clean His writing desk is like a surgeons, a calligraphers Different colored inks Bottles in order India rubbers of all kinds and shapes The implements are all glittering Everything has got a purpose Beauty is the splendor of order And all the mistakes are carefully erased And this shit will cause an infamous scandal Barbaric chords so neatly planned out
3.
4.
March On 05:05
March on medicine On Curiosity And torches to clarity The long walks up and down Dim tenement staircases To long hallways where her place is Turn of the century plasters crumbling off She waged a war from a room With frozen plumbing From inside the grey of the Rose City From inside the grey of the Rose city She's painting our lives In violent color Painting our lies In violent color The world's faded masterpiece The pavement after rain Shines like a billion stars The universe is where you are Turning the gauntlet of preying neon signs She plays a whore on the corner Of Fifth and Burnside From inside the grey of the Rose City From inside the grey of the Rose city She's painting our lives In violent color Painting our lies In violent color The world's faded masterpiece March on history Hitler and Napoleon March through the Russian mud
5.
6.
War Parade 06:55
A war parade is making its way Through the giant shafts of concrete and steel Monuments in a confetti sky They captured it in black and white A war parade in granite canyons And soldiers return The war has been won The avenue has a thousand arms Waving a welcome back home - where I've been lost I've been lost Waltzing with images They climbed up on the lightposts Trying to catch a look Young boys are on the shoulders Of fathers and waving flags Their mothers wear flowered hats Women are running in sundresses Trying to catch their love And leaning out of window sills Waving to passersby Greeting the heroes back Don't leave it out in the open Unprotected from the sky From the sky I've been lost Waltzing with images Long time passing
7.
Faint sound echoes On the sidewalk below Someone's walking Shoes are scraping the pave Rattling the shades Peering out from my window Who would be out at three am walking in this neighborhood? A silhouette's travelling In between the light posts Dressed in a long coat Might be floating along But for the sound of The shoes scraping the pave A crowd of moths gather Nervously waiting Stirring by the lamp In the light, the profile stops- checks the watch And turning around, I catch a glimpse of her She's white as Western Mary and Jesus The crowd of moths scatter And vanish like fire to the night Holy crap! She's beautiful And under the yellow light Her face is mocking the night Well she isn't from this place but she is owning it She is steering this city block like her own private car She must have some kind of exotic name She must have some kind of exotic trade And I would place my head into the mouth of her religion And await the miracle at the sea Don't care if it's a lie- if it's illusion We'll get there and touch our naked feet Place my head into the mouth of her religion And await the miracle at the sea Don't care if it's a lie- if it's illusion We'll get there and touch our naked feet Only for a moment She's stepping out of the light and from my window On the 14th floor I follow her silhouette out of sight
8.
Lazarus 02:58
9.
Rummaging 05:34
I swear I left it in here somewhere The drawers and all of their belongings Are thrown across the floor And I'm rummaging These are not my words They're light prose from Angela Like a thief I've come Tore up the place In search of a diamond (And slowed to find meaning) I swear I left it in here somewhere In photographs of foreign bridges A river flows where tanks rolled Into Prague Spring And History is war and blisters rebuilding it Buildings are without Faces or fraternity Just facades I swear I left it in here somewhere There's proof of my antique opinions A poem follows the path Of a falling leaf: "I am golden rain With forgotten path of flight Torn from branch I've come The wind to blame And weakening A lone, falling leaf to golden pile" And in rummaging through these piles, I Found a lost check
10.
Mondays 05:23

about

Some records need headphones; they require privacy and sacred attention where no one can enter, The Decade of Sunrise Demolition is that album.

It begins somewhere, where ever you are it begins, and "it" is that side of you that not everyone knows, hell you don't always recognize your "it."

Every part of the album reminds us that great craftsmanship takes a willingness to swing the hammer. We must love the process, just like when we were kids welcoming the great unknown because we love the journey.

I highly recommend digging into this album in a quiet space by yourself. And yes you will have to dig because the songs are treasures and at first you may not recognize their beauty until you wipe away the grime of your cluttered mind. Subtle noises and notes dance around your head as percussive rhythms hold together the songs like the freight trains connecting the fragmented United States.

At once you are in the vast industrious environment of Chicago's great railroad hub and then before long standing in the third-floor attic of a long lost great poet. I have listened to the album five times through over a hot August summer, and it keeps growing on me. Like the best artisan cheese or wine from a magical season, I am sure this album will improve as time rushes forward into the future.

I don't know why some works of art improve with time, but they do. In music, my experience for discovering a favorite album are ones that at first make me stop and pay attention. Not because of a sweet melody or hook but rather a curiosity to go deeper. Then on the 30th listen or so I find myself saying this music is amazing, it pushes me into worlds I never knew existed.

Do not rush this record. Allow for the songs to come to you in time. No cheap thrills here, you must be willing to do the work, and if so, you will find something worthy. A reward only experienced when engaging with the gift of a craftsman.

Review by Mathieu Novembre

credits

released July 26, 2018

All songs written and performed by Bret Stamper. © 2018

Backing vocals and occasional screams by Dan Posselt and Rebecca Posselt.
The yelling Hanchett Girls appear courtesy of their parents.

Recorded in Portland, OR, Shawano, WI, Quincy, IL, and Chicago, IL

Mixed by Bret Stamper and Adam Brown
Mastered by Doug McBride at Gravity Studios in Chicago, IL.
Album image by Peter Thompson, Daniel White, Pedro De Jesus Munoz

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Gresham Chicago, Illinois

Gresham is the work of Bret Stamper, a songwriter from Chicago, IL.

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